The recent revival of media interest in ‘Brutalism’, a 20th century architectural style mostly associated with grey, chunky concrete office blocks, high rises and municipal buildings, is an interesting example of the ways that urban fashion can change dramatically, with buildings once seen as futuristic in terms of design and materiality becoming reviled and in many cases demolished, before in time being re-evaluated and treated nostalgically.
Of course, this trajectory reflects to some extent Glasgow’s Sighthill stone circle, as the recent article (which I co-wrote) in British Archaeology magazine suggests, but in this post I would like to explore a range of other connections, which will include Stonehenge and its concrete doppelgangers, 1970s artworks in the Scottish new town of Livingston and an architectural doctrine adopted by the Nazis.
But let’s start with the brutal and unforgiving form of Stonehenge.
Stonehenge has been characterised in many ways – awesome…
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